MaRuShKa

zhivotna istina! ;]

nobody@mycity.rs (MaRuShKa) — Thu, 01 May 2008 14:23:53 +0100

Kad sam imao 14 godina, nadao sam se da �u jednog dana imati devojku.

Sa 16 godina imao sam devojku, ali me ona nije ba� volela pa sam zaklju�io da mi treba strastvena devojka puna �ivotnog �ara.

Na faksu sam se zabavljao sa strastvenom devojkom, ali je ona bila suvi�e emotivna. Sve je bilo dramati�no, bila je kraljica drame, sve vreme je plakala i pretila samoubistvom. Tada sam zaklju�io da mi je potrebna stabilna licnost.

Sa 25 godina na�ao sam veoma stabilnu devojku, ali je ona bila dosadna. Bila je potpuno predvidljiva i nikad se nije uzbu�ivala ni oko �ega. �ivot je postao toliko dosadan da sam zaklju�io da mi treba malo uzbudljivija devojka.

Sa 28 godina na�ao sam uzbudljivu devojku, ali nisam mogao da dr�im korak sa njom. Jurila je od jedne stvari do druge, nikad se nigde ne zadr�avaju�i. �inila je lude, iznenadne stvari i �inila mene isto toliko jadnim koliko i sre�nim. U po�etku je bila zabavna i vrlo energi�na, ali nije imala nikakav pravac. I tako sam odlu�io da nadem devojku koja zna �ta ho�e.

Kad sam napunio 31 godinu, na�ao sam pametnu, ambicioznu devojku, koja je stajala �vrsto na zemlji i njom sam se o�enio. Ona je bila toliko ambiciozna da se ubrzo razvela od mene i uzela mi sve �to sam imao.

Sad sam stariji i mudriji, pa tra�im samo plavu�e sa velikim sisama.

Djeaaaaaaaa!!!!!!!!

Jedanaest teza o prevozu u GSP-u

nobody@mycity.rs (MaRuShKa) — Mon, 15 Oct 2007 14:05:48 +0100

1. Seda� Na Dva Mesta � naj�e��e penzioner(ka) koji zauzima prvo od dva spojena sedi�ta, dok je za prilaz do onog slobodnog (do prozora) potrebno izvesti pravu cirkusku vratolomiju. Naj�e��e putuje do poslednje stanice, pri tom ne pokazuju�i ni najmanje znake sa�aljenja za slabo stoje�e saputnike.

2. Klinac Sa Borbenim Rancem � u�enik ili student koji na le�ima vu�e ono �to se u vojsci zove borbeni ranac, �amaraju�i njime okolne staja�e. Skida ga jedino kad mu "seda� na dva mesta" ustupi svoje mesto.

3. Pani�ni Zatvara� Prozora � u skladu sa narodnom poslovicom da: "Od smrada niko nije umro, dok su od promaje zabele�eni brojni slu�ajevi", ovaj putnik, �ak i na nesnosnoj vru�ini, zatvara sve prozore, i tako obezbe�uje saputnicima u�ivanje u te�kim prirodnim mirisnim notama.

4. Preru�eni Rid�ovan � ulazi neprimetno, prema modnom diktatu stilista iz GSP-a, preru�en u putnika. U po�etku pritajen, izme�u dve stanice, ni�im izazvan, iznenada vr�i desant na uspavane putnike. Uvek napada u formaciji trojke � kao oma� crnim trojkama iz NOB-a. Ambicija mu naglo opada, ukoliko naleti na jednog "�vercera", dr�i mu moralnu pridiku, ma�e kao trofejom njegovom li�nom kartom i drugi putnici ("�verceri") ga vi�e ne interesuju.

5. Ljubitelj Muzike � naj�e��e klinac sa elektronskom spravicom najnovije generacije (MP5), sa ili bez slu�alica (efekat na okolinu je isti), koji �eli da podeli svoje u�ivanje u tzv. muzici sa saputnicima.

6. Telefonski Ovisnik � ni brektanje ljute dizel ma�ine od stotinak decibela u busu, ni zatvaranje vrata � giljotina u troli, ne�e ga spre�iti da obavi svoj neodlo�no va�ni telefonski razgovor. Prema melodiji mobilnog telefona, mogu�e mu je naslutiti karakter.

7. Op�tenarodni Zabavlja� � crnpurasti mla�i maloletnik, uz pratnju malo starijeg harmonika�a, izme�u dve stanice, izvodi u�ivo, ono �to "ljubitelj muzike" slu�a na svojoj spravici. Posle zavr�etka ta�ke sledi slalom po prometalu, sa prikupljanjem si�e.

8. D�angrizalo � potreban mu je mali povod da zapo�ne glasnu sva�u. Uvek naleti na dostojnog protivnika. U njihovom malom perfomansu u�ivaju svi putnici (mnogo vi�e nego u ta�ki "op�tenarodnog zabavlja�a"), tajanstveno i zavereni�ki sa osmehuju�i. D�angrizalo je osnovnu obuku stekao u biv�im redovima za "bu�" (bra�no, ulje, �e�er), navukao se, a sada�nji redovi za penziju su mu retki i nedovoljni, pa upra�njava GSP. Sva�u uvek zapo�inje sa: "A �to se ne vozi� taksijem?"

9. D�eparo� � neguje isti stajling kao Preru�eni Rid�ovan, �ak i napada u istoj formaciji, razlika je samo u tome �to radi u ti�ini. Rendgenskim pogledom otkriva skrivene nov�anike, i uz pomo� magije dolazi do njih. Iza njega ostaje pusto� i mukotrpni hod po "institucijama sistema", radi dokazivanja sopstvenog postojanja.

10. Upla�eni Kupac Karte � obi�no ulazi na zadnja vrata i kre�e da se mukotrpno probija kroz gu�vu do voza�a, da bi kupio kartu. Usput, upla�eno tra�i Preru�enog Rid�ovana. U praznom vozilu, uvek stoji pored vrata, da ne bi propustio svoju stanicu.

11. Pomahnitali Majstor � voza� koji nije pro�ao konkurs za Formulu 1. Obo�ava kr�eve sa ru�nim menja�em iz kojih ume da izvu�e poslednji atom snage. Ako vozi tramvaj, obo�ava novu skretnicu u Nemanjinoj. Putnici pokorno trpe njegove vratolomije, gr�evito zaka�eni za �ipke u prometalu, a ni D�angrizalo se ne usu�uje da pravi gu�vu, nego ne�to promrsi sebi u bradu o analogiji putnika i krompira � kako ne bi jo� vi�e razjario Pomahnitalog Majstora.

Zivotinje su zivot! Zadrzimo Beo zoo vrt!!!!

nobody@mycity.rs (MaRuShKa) — Fri, 12 Oct 2007 10:39:00 +0100

Citat:Hocu da gledam slonove, tigrove i ostale majmune : ) vrt je jedno do jaja mesto u bgd i ne bi trebalo da ga sele! uostalom, nemam drugo mesto gde da vodim klince jednog dana : ) !

Podrzimo Beo zoo-vrt i Vuka Bojovica!
Odbranimo najlepse uspomene iz naseg detinjstva!
U nedelju u 12 sati okupimo se ispred glavne kapije Zooloskog vrta i protesnom setnjom do Skupstine Grada pokazimo gradskim vlastima da svojim nasilnickim i bahatim ponasanjem ne mogu da vrsljaju po najlepsem i najuredjenijem delu Beograda!

NE DAJMO BEO ZOO-VRT!

!!!

dirty mind?

nobody@mycity.rs (MaRuShKa) — Mon, 08 Oct 2007 21:23:00 +0100

obavezno pogledati..

!!!

Miss MoneyPenny

nobody@mycity.rs (MaRuShKa) — Wed, 03 Oct 2007 17:08:48 +0100

jeste li ikad bili?

eo prilike..

[Link mogu videti samo ulogovani korisnici]

palachinke*

nobody@mycity.rs (MaRuShKa) — Thu, 06 Sep 2007 19:53:35 +0100

odavno nisam jela ovakve..

=]

[Link mogu videti samo ulogovani korisnici]

di ih josh ima?

bg/ns/nish..

=]

ajmo drugari da prichamo o palachinkamaaaaaaaa..

krstarenje savom i dunavom..

nobody@mycity.rs (MaRuShKa) — Wed, 04 Jul 2007 19:17:55 +0100

eo par korisnih linkova..

[Link mogu videti samo ulogovani korisnici]

[Link mogu videti samo ulogovani korisnici]

Citat:Jedan brodic polazi svakog dana ispred SC 25.maj u 19 h, karta je 250 din, traje 1,5 h. Mali, simpatican brodic, mozes nesto i da pojedes/popijes za male pare, a ujedno u toj jednoj voznji vidis sa brodica i BG danju i nocu (jer bas pred kraj voznje pocinje da pada mrak). Lep i jeftin nacin da se provede popodne i vece.

Druga dva su kod hotela Jugoslavija, tj. izmedju hotela i Usca i za nocno krstarenje su.
Jedan je veci, na dva nivoa, brod restoran, voznja traje od 21 - 01h, 300 din., ali ne znam koliko je hasanje.
Drugi je manji, 1 nivo, brod - diskoteka, od 20-23 h, 300 din.

Slovenska mitologija

nobody@mycity.rs (MaRuShKa) — Mon, 25 Jun 2007 12:52:56 +0100

koliko zaista znate o slovenskoj mitologiji..

eo mali poDsetnik..

[Link mogu videti samo ulogovani korisnici]

=]

malko smeha nije na odmet..

nobody@mycity.rs (MaRuShKa) — Fri, 22 Jun 2007 13:24:49 +0100

smeh od suza..

nisam u mogutjnti da prestanem..

[Link mogu videti samo ulogovani korisnici]

peticija

nobody@mycity.rs (MaRuShKa) — Thu, 21 Jun 2007 16:55:58 +0100

U okviru akcije "PA PA PDV" posetite [Link mogu videti samo ulogovani korisnici] i potpisite peticiju za ukidanje PDV-a na bebi opremu, hranu i ostalo.

Hvala!

=]

nobody@mycity.rs (MaRuShKa) — Thu, 31 May 2007 10:13:44 +0100

drugariiiiii..

postala sam tetkaaaaaaaaa..

Dobro drvo

nobody@mycity.rs (MaRuShKa) — Sun, 13 May 2007 18:59:59 +0100

Obavezna lektira:

Download The Giving Tree!

The Giving Tree
From Wikipedia, the free encyclopedia

The Giving Tree, first published in 1964, is a children's book written and illustrated by Shel Silverstein. This book has become one of Silverstein's best known titles and has been translated into more than 30 languages.

Storyline
Spoiler warning: Plot and/or ending details follow.

The story is a short moral tale about a relationship between a young boy and a tree in a forest. It tells the account of how the tree loves the boy, and helps the boy with his needs throughout his life, from the boy's childhood until his golden years.

At the beginning of the story, the boy plays with the tree all the time, climbing its trunk, swinging from its branches, and eating its apples. However, as the boy ages, he says that he can no longer play with the tree, and begins asking the tree for various things; first money, which the tree gives him its apples for; next a house for a family, which the tree gives up its branches for; then a boat, which the tree sacrifices its trunk for. By the end of the tree's life, it has become a stump - a mere fraction of what it was physically; even in this state, the boy and the tree can enjoy each other's company. When the tree says that it has nothing left to give, the boy (now an old man) says that he now only needs a place to rest, and so sits for a while on the tree's stump, making the tree happy.

Analysis

Ever since the book was published, it has generated controversy and opposing opinions for its interpreted messages, on whether the tree is selfless or merely self-sacrificing, and whether the boy is selfish or reasonable in his demands of the tree.

A review of The Giving Tree: A Symposium shows some academic readers describing the book as portraying a vicious, one-sided relationship between the tree and the boy: with the tree as the selfless giver and the boy as a greedy and never-satisfied being who constantly receives, yet never gives anything back to the tree; a selfish love that could be misrepresented and imitated by its children readers. Indeed, some of these speakers single the tree out as either an irresponsible parent whose self-sacrifice has left the boy ill-equipped to cope and make his way in the world (and therefore led to him ending up alone) or as hopelessly co-dependent.

Other speakers, however, insisted that the book is a tale of unconditional love and generosity: the tree gives all it can to the boy because it loves him, and its feelings are reciprocated by the boy when he returns to the tree for a rest. In this way, the relationship between the tree and the boy as he grows up could be viewed as similar to that between a mother and her child; despite getting nothing in return for a long time, the tree puts the boy's needs foremost, because it wants him to be happy. Indeed, the only time the tree ever seems to be sad is when it feels that it has nothing left to give the boy and that the boy might never return.

As Timothy Jackson, a professor of Religious Studies at Stanford University put it:

Is this a sad tale? Well, it is sad in the same way that life is sad. We are all needy, and, if we are lucky and any good, we grow old using others and getting used up. Tears fall in our lives like leaves from a tree. Our finitude is not something to be regretted or despised, however; it is what makes giving (and receiving) possible. The more you blame the boy, the more you have to fault human existence. The more you blame the tree, the more you have to fault the very idea of parenting. Should the tree's giving be contingent on the boy's gratitude? If it were, if fathers and mothers waited on reciprocity before caring for their young, then we would all be doomed.

One element of the story that is agreed upon by both sides is that the story presents childhood as a time of happiness in comparison to the disappointments and sacrifices of zabranjenohood. Whether this is true to life is dependent upon how one perceives life.

One interpretation of the story not touched on by the speakers at the conference was interpreting the boy as the human race and the tree as [Mother Nature]. The Human Race has taken a great deal of irreplaceable resources from its Earth mother and not given anything in return. The book's ending could then be seen as a metaphor for the ultimate fate of both the planet and the Human Race: that we will have exhausted ourselves by consuming the resources of this planet and in the end all that she can offer us is a place to rest; all that we ever really needed. Note that the story only uses the word "need" at the end to describe the "boy's"/old man's need of a place to rest. All of his other desires are "wants."

The story is open to interpretation on many levels. When contemplated and examined in terms of the human condition it becomes clear that all of us have, at different times in our lives, played the role of both the boy and the tree.

Comparison to "A Boy Named Sue"

Shel Silverstein also wrote a well-known country song entitled "A Boy Named Sue", which serves as a counterpoint to "The Giving Tree". It tells the bawdy and humorous tale of a father who names his son "Sue" and promptly deserts him. In so doing, he guarantees that his son will grow up tough and self-sufficient (Sue gets into many fights over his name) and then makes himself completely unavailable. Another meditation on parental responsibility, the direct opposite to "The Giving Tree" both in tone and in message.

shta vas pokretje?

nobody@mycity.rs (MaRuShKa) — Wed, 18 Apr 2007 18:06:16 +0100

shta vam daje zhivotnu snagu..

i kad vas neshto obori..

da nastavite dalje..

??

samo za ljubittelje ovog charobnog slaktisha.. :)

nobody@mycity.rs (MaRuShKa) — Wed, 18 Apr 2007 14:00:57 +0100

jes da su malo sqpe..

al vrede svaq paru!!

ljubav je samo rech..

nobody@mycity.rs (MaRuShKa) — Wed, 11 Apr 2007 22:56:54 +0100

Moje posljednje zbogom
Ono sto cu ti reci
Neka ostane tajna
Izmedju tebe i mene
Dva srca prividno spojena
Zlatnom niti

Zasto sam cekao
Da se i posljednja
Nada ugasi
Da bih otisao

Sramno priznajem
Da te vise
Ne mogu ovako voljeti
Jer me iznova gusi
Osjecaj da te nemam
Da ti zagrljajem
Ne mogu pokazati
Gdje pripadas
Niti ljubiti
Lice andjela

Ja vise
Snage nemam
Da budem blizu tebe
Na ovaj nacin
Jer tvoja hladnoca
U mom srcu
Izaziva jezu

Osjecam
Da polako nestajem
U tvom crnom oku
Treptaja nedostojan
Ne mogu vise
Niti govoriti

Nehoteci
Razbila si jednu dusu
Na komade
Slomila si
Hrabrog covjeka
Cija sam sjenka

Stoga
Neka ovo bude
Moje posljednje zbogom
Zadnji poklon tebi
Andjele bez duse

Ostajem
Vjeran molitvi
Da jednom shvatis
Sta je prava ljubav
I kako se voli do smrti