MyCity kviz - Da li vam je poznato ovo umetničko delo

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MyCity kviz - Da li vam je poznato ovo umetničko delo

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Ričard Dad (Richard Dadd), Majstorski potez čarobnog drvoseče Bebee Dol - zaista ne znam kako da ovo bolje prevedem - (The Fairy Feller's Master-Stroke). Delo je poprilično "autobiografsko", ukoliko imaginarni svet Ričarda Dada shvatimo kao "još jednu stvarnost".

Citat:Richard Dadd (1 August 1817 – 7 January 1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail. Most of the works for which he is best known were created while he was incarcerated in a psychiatric hospital.

Dadd probably suffered from a form of paranoid schizophrenia. He appears to have been genetically predisposed to mental illness; two of his siblings were similarly afflicted, while a third had "a private attendant" for unknown reasons.

In the hospital he was allowed to continue to paint and it was here that many of his masterpieces were created, including his most celebrated painting, The Fairy Feller's Master-Stroke, which he worked on between 1855 and 1864. Also dating from the 1850s are the thirty-three watercolour drawings titled Sketches to Illustrate the Passions, which include Grief or Sorrow, Love, and Jealousy, as well as Agony-Raving Madness and Murder. Like most of his works these are executed on a small scale and feature protagonists whose eyes are fixed in a peculiar, unfocused stare. Dadd also produced many shipping scenes and landscapes during his incarceration, such as the ethereal 1861 watercolour Port Stragglin. These are executed with a miniaturist's eye for detail which belie the fact that they are products of imagination and memory.

After 20 years at Bethlem, Dadd was moved to the criminal lunatic asylum at Broadmoor, outside London. Here he remained, painting constantly and receiving infrequent visitors until 7 January 1886, when he died, "from an extensive disease of the lungs."

http://en.wikipedia.org/wiki/Richard_Dadd

Citat:The Fairy Fellers' Master-Stroke is a Richard Dadd painting. It was commissioned by George Henry Hayden, who was head steward at Bethlem Royal Hospital at the time. He was impressed by Dadd's artistic efforts and asked for a fairy painting of his own. Dadd worked on the painting for nine years - paying microscopic attention to detail, as well as a layering technique producing near-3D results - and it is generally regarded as his most important work. However, Dadd himself considered the painting to be unfinished (the background of the lower left corner is only sketched in), and as such added the suffix of "Quasi" to its title.
. . .

The Queen song "The Fairy Feller's Master-Stroke" from the band's second album was born of Freddie Mercury's appreciation of the work; it makes direct reference to the painting's characters as detailed in Dadd's poem. Terry Pratchett's novel, The Wee Free Men, contains a scene inspired by the painting. The painting, the art of the insane, Dadd, Hayden, and the Celtic Twilight resonate through the marvelous novel, "[Mortal Love]", by Elizabeth Hand. The work is also a central plot element in the novel The Witches of Chiswick by Robert Rankin.

http://en.wikipedia.org/wiki/The_Fairy_Feller%27s_Master-Stroke

http://www.popsubculture.com/pop/bio_project/richard_dadd.html
http://www.tate.org.uk/tateetc/issue1/article6.htm

"To see the Feller (zabranjeno)-a-nut at night's noon-time...". Very Happy

(zabranjeno)=c--r--a--c--k



Registruj se da bi učestvovao u diskusiji. Registrovanim korisnicima se NE prikazuju reklame unutar poruka.
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Vilinski lešnikoseča? Ćuti, neću ni da pokušam da prevodim naslov, ko zna gde bi me to odvelo. Very Happy

Citat:What the painting means is obscure, but the content of the picture is made somewhat comprehensible by a poem Dadd wrote to describe the various figures and activities depicted; we know from his poem, Elimination of a Picture & its subject--called The Feller's Master Stroke, that everything in the painting is intentional and that it is not simply a pastiche of mad delusions.

At the center of the painting is a figure Dadd calls "The Patriarch." He has a full white beard and wears an improbably huge hat with a papal-like, three-tiered crown. Fairies and elves dance on the brim of the hat, which twists off into tendrils and flowers to join the vegetation surrounding the Patriarch. The Feller, directly beneath the Patriarch, stands with his ax poised, awaiting the command to split a hazelnut in two.

http://www.english.emory.edu/classes/Shakespeare_Illustrated/Dadd.Feller.html
http://www.noumenal.com/marc/dadd/
http://www.bethlemheritage.org.uk/gallery/pages/LDB867-1.asp


Izvoli tuzor. Zagrljaj



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Napisano: 17 Jan 2011 20:10

Zahvaljujem! Zagrljaj

Za dela ovog italijanskog slikara, koja poseduju bizarnu privlačnost, svojevremeno se zainteresovao i Salvador Dali, među ostalim nadrealistima. Umetnik je već bio zastupljen na ovom kvizu.




Dopuna: 19 Jan 2011 17:17

A bio je zastupljen na ovom kvizu zahvaljujući pitanju koje je postavila Sorelag, pretprošle godine ( Shocked kako vreme letiiiiii...).

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Giuseppe Arcimboldo

Citat:Giuseppe Arcimboldo (also spelled Arcimboldi; 1527 - July 11, 1593) was an Italian painter best known for creating imaginative portrait heads made entirely of such objects as fruits, vegetables, flowers, fish, and books - that is, he painted representations of these objects on the canvas arranged in such a way that the whole collection of objects formed a recognisable likeness of the portrait subject.

http://www.giuseppe-arcimboldo.org/
http://en.wikipedia.org/wiki/Giuseppe_Arcimboldo
http://www.all-art.org/early_renaissance/arcimboldo01biography.html


1. slika

Air(Vazduh)

Citat:Air, like the Four Seasons and the other three elements, has been depicted in the form of a human head in profile. To express his ideas on the nature of air, Arcimboldo has populated this picture with a large number of birds. Most of them have only their heads visible and can hardly be identified, whereas others can be recognized immediately. The goose, for example, is quite easy to make out, and together with the tail feathers of a rooster gives a vague impression of an ear. The turkey with its swelled breast is the nose, and a pheasant, hiding partly under the wings of the rooster, provides a goatee beard with his tail feathers, thus decorating the chin of the figure. The little bird whose eye serves as the pupil of the human head remains a mystery, however, while the upper and lower eye-lid of the head is formed by the open beak of a duck. Arcimboldo's Four Elements contain some obvious references to the House of Hapsburg, such as the peacock and the eagle, which are both symbols of the dynasty.

http://www.all-art.org/early_renaissance/arcimboldo01biography.html

2. slika

Earth (Zemlja), 1570

Citat:Benno Geiger thought that this painting depicted a hunter. Nowadays, however, it is generally acknowledged to be an allegory of Earth. Comanini's Figino describes this picture so vividly that is seems worth quoting the passage from Geiger's book: "The forehead contains all these animals: an Indian gazelle, a fallow doe, a leopard, a dog, a fallow buck, a red deer, and the 'big animal'. The ibex, an animal which lives in the Tyrolean mountains, has been inserted in the back of the neck, together with the rhinoceros, the mule, the monkey, the bear and the wild boar. Above the forehead are the camel, the lion and the horse. And the nice thing is that all the animals with antlers have arranged their weapons around the forehead, thus forming a king's crown: that was an amazingly clever idea, and it decorates the head very nicely, too. The area behind the cheek (the head being in profile) is formed by an elephant whose ear is large enough to be the ear of the whole figure. A donkey underneath the elephant fills out the lower jaw. For the front portion of the cheek a wolf was forced to render its service, its mouth wide open and about to snap at a mouse: its open mouth is the eye, and the mouse the pupil of the eye. The tail and the leg of the mouse form a moustache just above the upper lip. On the forehead, sitting among the other animals, there is a fox with its tail curled up, which forms the eyebrow. There is a hare on the wolfs shoulder, forming the nose, and a cat's head which is the upper lip. Instead of a chin there is a tiger, held up by the elephant's trunk. The trunk is rolled up and forms the lower lip of the figure's mouth. A lizard can be seen coming out of the open mouth. The curvature of the entire neck is formed by a recumbent ox, together with a fawn."

http://www.all-art.org/early_renaissance/arcimboldo01biography.html
http://www.giuseppe-arcimboldo.org/Earth--c.1570.html

3. slika

The Fire(Vatra), 1566

Citat:There is an inscription in the lower right-hand corner of the gunbarrel which reads: "Josephus Arcimboldus Menensis. F" The date and the title are on the other side of the painting: 1566 Ignis". In this allegory Arcimboldo depicted several different types of fire, ranging from the small light of an oil-lamp or a candle to the tremendous power of cannons and guns. A flame can be kindled by striking the two pieces of steel (the nose and ear) against the flint which decorates the Golden Fleece. This will light the little oil-lamp (the chin of the figure), the bundle of spills (the moustache), the rolled-up taper candle (the forehead complete with wrinkles) and finally the pile of firewood, whose flames surround the head like a crown. There is hardly any other work of Arcim-boldo's which is more explicit in its references to the Hapsburgs. The neck is separated from the body by the chain of the Golden Fleece, which was one of the most important orders of the time. Duke Philip of Burgundy gave it to the Hapsburgs on the day of his wedding in 1429. Like many others, he became one of the Hapsburgs through marriage. What is even more significant is the presence of the double eagle, the symbol of the Holy Roman Empire of which the Hapsburgs were emperors at the time of Arcimboldo. Finally there are the gun and the cannons. These may well have served the purpose of emphasizing the great military power of the Hapsburg rulers, then at war with Turkey.

http://www.all-art.org/early_renaissance/arcimboldo01biography.html
http://www.giuseppe-arcimboldo.org/The-Fire-1566.html

4. slika

The Water(Voda), 1563-64

Citat:It is impossible to list all the aquatic animals that make up this head, which is an allegory of the element water. The upper part of the body appears to be formed by a coat of arms consisting of a giant crab (the breastplate), a turtle and a large mussel (the shoulder-piece) to which an octopus has attached itself with its tentacles. The neck is decorated by a pearl necklace. The cheek is a ray, and an oddly shaped pearl decorates the mussel-like ear. A squill, another member of the crab family, takes the place of the eyebrows, and the mouth is formed by that of a shark, wide agape and with sharp teeth. The top part of the head is rounded off by some kind of crown, which seems to include one or two whales, two spout fish, a walrus, a young seal, a sea horse and, somewhat hidden from view, the arms of a starfish. The impression of a crown is re-inforced by the presence of long spikes coming out of a fish's spine and crown-shaped coral next to the spout fish.

http://www.all-art.org/early_renaissance/arcimboldo01biography.html
http://www.giuseppe-arcimboldo.org/The-Water-The-Water-1563-64.html


Želim da pohvalim Tuzora, jer je izabrao četiri karakteristične tj. srodne slike, ovog umjetnika. To su slike koje prikazuju četiri elemanta: vazduh, vodu, vatru i zemlju. smešak

Zaista prelijepo... Smajli

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А ја да похвалим приљежност Александрову, која се манифестовала у целовитом одговору, поткрепљеном адекватним цитатима и линковима! Свака част!!!

Дакако - одговор је тачан!

Изволи, Александре!

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Napisano: 20 Jan 2011 22:15

Hvala, Tuzor! Very Happy




Koristio je svijetle boje. Uživao u prirodi, a naročito slikavši vodu.
Kao da ga je Erosova strijela pogodila, zaljubio u ovaj element, potpuno mu se posvetivši.
smešak

Dopuna: 22 Jan 2011 14:11

Jedan umjetnički pravac je dobio ime po vrlo poznatoj slici ovog umjetnika.

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Клод Моне (Claude Monet), Тополе на реци Епт (Les Peupliers au bord de l'Epte, Poplars at the Epte).

Citat:Claude Monet (French pronunciation: [klod mɔnɛ]), born Oscar Claude Monet (14 November 1840 – 5 December 1926), was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant).
http://en.wikipedia.org/wiki/Claude_Monet

http://en.wikipedia.org/wiki/File:Claude_Monet_040.jpg
http://www.claudemonetworks.com/painting/poplars-at-the-epte

Citat:The elegant poplar trees on the banks of the River Epte, seen against a patchy blue summer sky, fuse with their reflected image in a network of brightly coloured brushstrokes. This is a work from Monet's celebrated series of poplar paintings made between the spring and autumn of 1891, the year after he had settled in Giverny. He used a boat as a floating studio and captured beautifully the shimmering effects of sunlight on water. The trees were ready to be sold for timber, but Monet, in partnership with a timber merchant, bought the trees at auction so that he could continue painting them.
http://www.nationalgalleries.org/collection/online.....p;submit=1

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Baš tako! Very Happy

Ta slika "Sunrise" mi se dopala, te sam htio nju postaviti, ali pogledah u Jelkičin "Spisak postavljnih pitanja", kad ona zauzeta. Neutral

Inače, potkrijepio si odgovor veoma dobrim linkovima.

Bravo tuzor!

It's your turn. Wink

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Napisano: 22 Jan 2011 19:06

Захваљујем! Smile

"Двоимени" савремени амерички уметник. Идентичну "двоименост" налазимо на примеру још двојице сликара из прошлих времена. За нашег уметника критика везује нешто, што најприближније можемо означити појмом саосећајност.




Dopuna: 24 Jan 2011 19:54

Овај "рођени" Тексашанин, рођен 1945. године, имао је две главне ретроспективне изложбе у Музеју америчке уметности "Смитсонијан" и Музеју лепих уметности у Хјустону.

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Heroji dolaze i Heroji odlaze (Heros Come and Heros Go), Jovan Aleksandar, (John Alexander), 2008.

http://www.johnalexanderstudio.com/paintings/heros-come-and-heros-go/

Citat:Born in 1945 in Beaumont, Texas, Alexander remained in southeast Texas until entering graduate school at Southern Methodist University in Dallas in 1969. Upon completing an MFA in 1970, he moved to Houston, established a studio and became a member of the art faculty of the University of Houston. In the late 1970’s Alexander left Texas for New York where he is to this day. The artist currently divides his time between New York City and Amagansett.

http://www.johnalexanderstudio.com/biography/

Citat:John Alexander has exhibited extensively in the United States and around the world, most recently in Beijing. He has had a major retrospective at the Smithsonian American Art Museum and the Museum of Fine Arts in Houston.

http://www.johnalexanderstudio.com/biography/

Smile

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