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MyCity kviz - Da li vam je poznato ovo umetničko delo

Napisano na dan: 10.4.2009
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MyCity kviz - Da li vam je poznato ovo umetničko delo
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Idi na vrh

Poslao: 28 Okt 2009 00:39
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Da, i još Hav a Havana IV i Dionus, litografije iz 2002.

Citat:In 1964 he had his first one-man exhibition at the Bianchini Gallery, New York. In 1965 he developed a specific kind of Pop Art iconography by combining nude pin-up girls from American magazines and advertisements with branded products.
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Sorelag, izvoli Zagrljaj



Registruj se da bi učestvovao u diskusiji. Registrovanim korisnicima se NE prikazuju reklame unutar poruka.
Poslao: 28 Okt 2009 01:54
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Hvala smešak



On je svoje slike pedantno potpisivao



Poslao: 28 Okt 2009 02:10
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Moris Utrilo, Katedrala u Šartru Very Happy

Dok ja odgonetnem potpis, sitno mnogo Mr. Green

Poslao: 28 Okt 2009 02:20
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Rekoh ja, Very Happy teško je naći njegovu sliku, ako ne nepotpisanu, onda neku na kojoj je potpis nerazgovetan.

Moris Utrilo, francuski slikar s početka 20. veka, uglavnom posvećen gradskim prizorima i pejzažima. Zanimljiv, poetičan čak i kad slika mračnije strane urbanog života (radničke četvrti, periferiju, fabrike, ulice...); kažu da ga je teško kategorizovati i situirati u određeni pravac. Izgleda da je bavljenje slikarstvom imalo terapeutsku ulogu u njegovom ličnom životu.

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Izvoli, jekice Zagrljaj

Poslao: 28 Okt 2009 13:15
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Napisano: 28 Okt 2009 2:40

'Fala. smešak
Utrilo i ja smo stari znanci, već me namučio jednom Very Happy




Jedan od osmorice.

Dopuna: 28 Okt 2009 13:15

Realista i socijalista, ali ne i socijalrealista.

Poslao: 28 Okt 2009 16:55
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Џон Френч Слоан (John French Sloan), амерички сликар, члан Осморице (или Групе осам), као и Ешкен школе, и његово дело McSorley's Back Room.
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Citat:Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century", and an "early twentieth-century realist painter who embraced the principles of socialism and placed his artistic talents at the service of those beliefs."
. . .
Whenever Sloan was asked about the social context of his paintings or about his association with Socialism, he said that they were done with "sympathy, but no social consciousness." "I was never interested in putting propaganda into my paintings, so it annoys me when art historians try to interpret my city life pictures as 'socially conscious.' I saw the everyday life of the people, and on the whole I picked out bits of joy in human life for my subject matter."
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Citat:Harsh, dirty New York, 0. Henry's "Baghdad on the Hudson," had its demotic refuges: the new movie houses, the dance halls, and, very important for Sloan, McSorley's Ale House, a dimly lit, sawdust floored, working class Irish tavern from which women were banned and whose eccentric annals would be recorded by Joseph Mitchell in his essay "McSorley's Wonderful Saloon." Sloan drank there regularly. It was to him and some of his friends what the more exalted Century Association was to the likes of Augustus Saint Gaudens. Some of his sketches still hang on its encrusted walls.
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Poslao: 28 Okt 2009 17:10
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Komplet odgovor, ostaje mi samo da predam štafetu. smešak

Izvoli tuzor Zagrljaj

Poslao: 28 Okt 2009 18:04
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Хвала (посебно због "поправке" линка). Very Happy

Истакнути савремени руски надреалиста.

Poslao: 28 Okt 2009 18:16
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Aleksandr Semušin, Igrači šaha, 1992.

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Poslao: 28 Okt 2009 20:12
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Это точно, линк правильнй!

Придружујем још један:
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Јелкица, пожалуйста! Zagrljaj

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