MyCity kviz - Da li vam je poznato ovo umetničko delo

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Tačno, naravno! Ovaj grčki link mu dođe nešto kao ekskluziva.
"Ekskluzivnom" pridružujem jedan "transparentni":
[Link mogu videti samo ulogovani korisnici]

Tamti, izvoli!!!

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Hvala! Evo nesto sto sam imala na puzzlama, 1000 komadica!
(ne, nisam okacila na zid!)

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Za života ismevani, posmrtno priznati Anri Žilijen Feliks Ruso, francuski post-impresionista "naivac", i njegovo delo Gladni lav se baca na antilopu/hvata antilopu (The Hungry Lion Throws Itself on the Antelope).
[Link mogu videti samo ulogovani korisnici]
[Link mogu videti samo ulogovani korisnici]

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Naravno! Sve je na mestu, pomoc nije ni trebala. Tuzore, tvoj red
(imam i mercedes iz 1928, 2500 komadica, pravo malo umetnicko delo... to cu drugi put )

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Napisano: 11 Sep 2009 11:23

U iščekivanju "merdže":

Slikar i vajar, rođen u Rusiji, zanimljive biografije. Svetski putnik, koji se skrasio u Australiji.



Dopuna: 11 Sep 2009 22:24

Prepoznatljiv po direktnom i ekspresivnom načinu slikanja i slobodnoj upotrebi boja, ovaj "kozački sin" se oduševljavao delima Van Goga i Sutina. Izvršio je uticaj na Džona Persivala, čuvenog australijskog slikara.

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Liči na ovog umetnika - Danila Vassilieff , ali sliku ne mogu naći nikako. Možda nije on. Pomoć?

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Ne da liči, nego - pljunuti! Jeste Danila (Danijel).

A pošto je sliku zaista teško naći (sasvim drugim povodom sam je "iščeprkao"), uzimajući u obzir i grešku koja se pojavljuje kod slova u umetnikovom prezimenu, priznajem odgovor. Delo se zove Woman driving posh car, s tim što je navedeno "Vassilief" umesto "Vassilieff" (sa dva "f"). A možda je tako i ispravno, ko će ga znati?

Na ovom linku se mogu naći zanimljive slike, i priče o umetnicima, iz ugla pripadnika jedne umetničke porodice:
[Link mogu videti samo ulogovani korisnici]
[Link mogu videti samo ulogovani korisnici]

Citat:Vassilieff returned to Australia in October 1935 and settled in Sydney. Combining an iconic style with immediate experience, he painted turbulent street scenes of inner-city areas. He also produced still lifes, such as 'Red Roses', unflattering portraits, and lively landscapes of the windswept Woronora area. His expressionist paintings impressed Basil Burdett, Sydney Ure Smith, Gavin Long and John Young, and he exhibited twice at the Macquarie Galleries. In 1937 he eloped with Helen Macdonald. They lived at Biloela, Queensland, and then in Melbourne. Enthusiastic reviews of his paintings—often of children playing in the streets of Collingwood, Fitzroy and East Melbourne—established his reputation.
. . .
For Connie Smith, Vassilieff painted a four-part screen, 'Expulsion from Paradise'. Its theme of the fall of man had a lasting impact on Arthur Boyd and John Perceval, both of whom visited him to learn to paint quickly. Vassilieff, however, regarded religious subjects as suitable only for the decorative arts. His rejection of all dogma—religious, political and aesthetic—annoyed the social realists. In 1944 he helped to defeat the communist attempt to take over the Contemporary Art Society.
. . .
After a number of paintings on the theme of marriage, he transferred his energies to sculpture, using limestone from Lilydale; power tools enabled him to work faster and to respond spontaneously to the grain. Vassilieff reconciled the formal language of European iconic art with the lively shapes of folk art in his vigorous standing figures, such as 'Petit Bourgeois', 'Mechanical Man' and 'Stenka Razin'. The aesthetic elements—which he sometimes sacrificed to the more urgent need for expression in his paintings—were achieved through the brilliant finish which revealed the metamorphic pattern of the marble. In the early 1950s the titles of his paintings and sculpture assumed an aggressively anti-imperialist mood, due in part to his wife's political activity. In 1953 he became vice-president of the Contemporary Art Society.
[Link mogu videti samo ulogovani korisnici]

Citat:Bojićeva zaključuje da je Vasiljev bio autor snažne individualnosti na čiji su umetnički razvoj jako uticali njegovi slovenski, ruski, odnosno, preciznije, čak kozački koreni, porodična ikonopisačka tradicija, ali i širina koju je umetnik stekao putujući Evropom, Amerikom, Azijom i Australijom.
Tako se, smatra Zoja Bojić, formirao umetnički izraz Vasiljeva, nenarativni, dramatični jezik simbola i alegorija svojstven njegovom duhu, obojen specifičnim humorom, ironijom i sarkazmom, a ponikao iz slovenske tradicije i sa australijskog tla. Vasiljev je uveo u dijalog Džo Deutera (Joe Deuter) i Neda Kelija (Ned Kelly), sa australijskog podneblja, sa slovenskim tragikomičnim antiherojem iz romana Hašeka, Ćosića, Gogolja, Iljfa i Petrova, Vojnoviča, sa realnim likom Stenjke Razina i njegovim odjecima u ruskoj literaturi, sa Petruškom, Ivanuškom, ali i sa “počovečenim” životinjskim likovima iz ruskih bajki, sve do Peće i vuka Prokofjeva.
[Link mogu videti samo ulogovani korisnici]

Sve u svemu, Jelkice - izvoli!!!

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Napisano: 12 Sep 2009 14:38

Bogami je ovaj Vassilieff/Vasiljev bio ekskluziva samo takva Sve sam probala, i pretragu sa više različitih verzija imena, i umetnik, художник, painter u pretrazi, i ćirilicu i latinicu ... i ništa. Tako da sam veoma srećna zbog ovih linkova, konačno izađoh iz zone sumraka, a i priznat mi je nepotpun odgovor. A i imam šta da čitam posle.



Mlađi britanski umetnik, ove slike su ga proslavile, a na njima su predstavljena ...



I da, ima ga u Wikipedii

Dopuna: 12 Sep 2009 23:10

jelkica7 ::Mlađi britanski umetnik, ove slike su ga proslavile, a na njima su predstavljena ...
... bolnička vrata. A i ovo "mlađi" može sa rezervom da se uzme. Još je živ, u svakom slučaju.

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Gary Hume, Four Doors I.
Evo i linka:
http://www.dailyinfo.co.uk/reviews/feature/3183/Gary_Hume_Door_Paintings/

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Napisano: 12 Sep 2009 23:24

Tako reci, sestro slatka!

Geri Hjum, serijal "Door Paintings".
[Link mogu videti samo ulogovani korisnici]
[Link mogu videti samo ulogovani korisnici]

Citat:Hume's contribution to Freeze consisted of three life-size paintings of hospital doors. Rendered in shiny layers of household gloss, the paintings reproduced the dimensions of double-hinged swing-doors inside St Bartholomew's Hospital in East London, with circles of colour representing porthole windows and rectangles standing in for kick-plates. "The first image came to me after I saw an advert for Bupa health insurance in the newspaper," Hume recalls, lighting up a cigarette. "There were these depressed people in a depressed NHS hospital, and in the background was this modernist door - clear, perfectly designed, functional, democratic. I saw it and thought, bloody hell, there it is - I can paint that. It's perfect."

Hume's instinct was inspirational: all three of his Door Paintings at Freeze were bought by Saatchi for several hundred pounds, and he decided to make a series. With their formal simplicity, and subtle suggestions of exits and death, Hume's Door Paintings proved a hit. To date, he has created more than 50, 18 of which have been gathered for the Oxford show.
[Link mogu videti samo ulogovani korisnici]

Dopuna: 12 Sep 2009 23:26

Tamti me je pretekla... A uz to je i tačno odgovorila. Ako, ne žalim!