His early work belonged almost exclusively to the mythological genre, which served as an excuse for the painting of the nude, but not always in the best of taste. His Rolla of 1878, based on a poem by Alfred de Musset, was rejected by the jury of the Salon de Paris for immorality, since it depicted a scene from the poem of a naked prostitute after having sex with her client.
The history of Rolla was captured in a poem by Musset in 1833. Rolla was the man who had paid for Marion as a courtesan whom he couldn't really afford.
" . . .Marion was expensive. To pay for one night he had spent everything . . .. Rolla peered with a melancholy eye over the rooftops, he saw the sun coming up. He moved to the edge of the window. Rolla glanced back to Marie, she was tired and had fallen asleep again..."
Gervex had painted the poem. But just like Manet's Olympia this was way too direct, and forced Parisian society to face the realities of prostitution which was widespread in Paris, along with the issues of female sexuality. The ruffled sheets, the quickly discarded corset and man's top hat, left little doubt the passion that this painting depicted.
Savremeni meksički slikar, koji u slikarstvu vidi vežbu uma i duha, ali i konačnu vrednost u sagledavanju bitnog od strane posmatrača.
----------- Dopuna: 28 Nov 2009 8:39 ---------
Ovim rečima umetnik objašnjava svoj doživljaj slikarstva, i slikanja:
Citat:
To me painting describes the world of the ideas, that’s the reason of this fantastic characters and places whom might be a reflection of ourselves on an ideal world rather than being an accurate mirror.
----------- Dopuna: 29 Nov 2009 7:44 ---------
Interesantno je da se zove i preziva kao:
- popularni pevač ('cantaor') flamenko muzike;
- bivši igrač bejzbola, poreklom iz Dominikanske Republike;
- bivši španski reprezentativni fudbaler (sa dodatkom "Martinez");
- španski pisac-romantičar, poznat, na žalost, i po činu samoubistva (s tim što mu je ime "dvodelno", pa ispred ide "Mariano", a ispred prezimena "de").
Francuski slikar, koji nije mogao da se pomiri sa smrću supruge. Njegovo samoubistvo označilo je i kraj "ere" oslikavanja stropova i tavanica alegorijskim predstavama velikih dimenzija. Ovo delo završeno je dan pre samoubistva.
However, the excess of work, court intrigues at Versailles, and the death of his wife drove him to madness. He committed suicide in Paris in 1737 by stabbing himself seven times, six months after finishing the ceiling painting ("L'apothéose d'Hercule") in the Salon d'Hercule in the grand appartement du roi. With his death, the fashion of large allegorical ceilings disappeared.
Карлос Швабе, Мрзовоља и идеал (уље на платну). А превод - хм, хм...
Citat:
Schwabe’s compositions generally included allegorical or mythological figures such as Death and the gods. He was in high demand as an illustrator for books, and illustrated many including “Jardin de l’infante” by Albert Samain and “Les Fleurs du Mal” by Baudelaire.
Из всех иллюстраций самой известной оказалась картина, которая позже стала фигурировать под самостоятельным названием "Тоска и Идеал" ("Spleen et Idéal"). Картина стала такой популярной, что Карлосу пришлось спустя семь лет повторить ее и в акварельной технике, и масляными красками.
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