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Poslao: 22 Jul 2009 07:59
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Jakopo da Pontormo, Skidanje sa krsta.
Citat:The large altarpiece canvas for the Brunelleschi-designed Capponi Chapel in the church of Santa Felicita in Florence, portraying The Deposition from the Cross, is considered by many Pontormo's surviving masterpiece (1528-).
The figures, with their sharply modeled forms and brilliant colors are united in an enormously complex, swirling ovular composition, housed by a shallow, somewhat flattened space. Although commonly known as The Deposition from the Cross, there is no actual cross in the picture, making the subject matter of this painting is as uncertain as the space in which it takes place.
http://en.wikipedia.org/wiki/Jacopo_da_Pontormo
Citat:Pontormo's undulating mannerist contortions have been interpreted as intending to express apoplectic and uncontrolled spasms of melancholy. The Virgin, larger than her counterparts, swoons sideways inviting the support of those behind her. The assembly looks completely interlocked, as if architecturally integrated. Legend has it that Pontormo set himself in self-portrait at the extreme right of the canvas; but ultimately, the most compelling and empathic figure is the crouching man in the foreground, whose expression mixes the weight of the cadaver and the weight of melancholy. He does not appear to know where to move.
http://en.wikipedia.org/wiki/The_Deposition_from_the_Cross_(Pontormo)
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Poslao: 22 Jul 2009 14:01
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Ovaj savremeni umetnik je poznat po korišćenju različitih tehnika, sredstava i oblika ispoljavanja svoje umetničke ideje.
Ovde je jedan njegov hiperrealistički prikaz teme, kojom su se bavili Leonardo, Rubens i drugi poznati slikari.
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Poslao: 22 Jul 2009 21:20
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Bravo, i za odgovor, i za link koji pruža mogućnost za svestrano sagledavanje! 
Dodaću samo osnovno:
Citat:One of the most famous paintings of Helnwein's oeuvre is Epiphany I - Adoration of the Magi, (1996, oil and acrylic on canvas, 210 cm x 333cm, collection of the Denver Art Museum). It is part of a series of three paintings: Epiphany I, Epiphany II (Adoration of the Shepherds), Epiphany III (Presentation at the Temple), created between 1996 and 1998. In Epiphany I, SS officers surround a mother and child group. To judge by their looks and gestures, they appear to be interested in details such as head, face, back and genitals. The arrangement of the figures clearly relates to motive and iconography of the adoration of the three Magi, such as were common especially in the German, Italian and Dutch 15th century artworks. Julia Pascal wrote about this work in the New Statesman: "This Austrian Catholic Nativity scene has no Magi bearing gifts. Madonna and child are encircled by five respectful Waffen SS officers palpably in awe of the idealised, blonde Virgin. The Christ toddler, who stands on Mary's lap, stares defiantly out of the canvas." Helnwein's baby Jesus is often considered to represent Adolf Hitler.
http://en.wikipedia.org/wiki/Gottfried_Helnwein
Jelkice, izvoli! 
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Poslao: 22 Jul 2009 23:09
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Hvala. 
Jedan od najuticajnijih umetnika dvadesetog veka, tokom jednog od svojih performansa. Nemac.
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Poslao: 23 Jul 2009 00:29
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Joseph Beuys ....mozda..
Joseph Beuys (German pronunciation: [ˈjoːzɛf ˈbɔʏs]; May 12, 1921, Krefeld – January 23, 1986, Düsseldorf) was a German performance artist, sculptor, installation artist, graphic artist, art theorist and pedagogue of art.
His extensive work is grounded in concepts of humanism, social philosophy and anthroposophy; it culminates in his "extended definition of art" and the idea of social sculpture as a gesamtkunstwerk, for which he claimed a creative, participatory role in shaping society and politics. His career was characterized by passionate, even acrimonious public debate, but he is now regarded as one of the most influential artists of the 20th century.
http://en.wikipedia.org/wiki/Joseph_Beuys
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Poslao: 23 Jul 2009 00:48
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Tačno danka, Jozef Bojs i performans "Kako objasniti slike mrtvom zecu".
Izvoli
Citat:Bojs je nosio mrtvog zeca po galeriji, šapćući mu na uvo reči koje niko drugi nije čuo. Na jednoj cipeli je imao gvozdeni đon, toliko težak da je morao da vuče jednu nogu. Komunicirajući sa zecom, Bojs je evocirao šamansku praksu kretanja prema onostranom. Nečujna za publiku, Bojsova nema objašnjenja umetnosti odnose se na davanje prednosti intuitivnom i imaginarnom u odnosu na pozitivizam prenošenja racionalnog znanja
http://www.vreme.com/cms/view.php?id=434753
Link vodi do članka o Marini Abramović, ali ga vredi pročitati 
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